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July, 2010 monthly archive

Well the day is drawing near and the invitations for the wedding are out so I think it’s safe to post the final illustrations I did for my good friend’s up coming wedding in the woods.

First things first, this is the invitation image:

Cute, right?

Another idea that we all loved was the notion that the wedding should be attended by some of the forest creatures. I worked up a few woodland couples:

 

 

 

 

Don’t they look dashing?

For big design projects I like to make some small elements that can be reused over and over wherever the design might need a little picture or accent. It’s a good way to make the whole thing feel unified without making tons of custom illustrations. Even though I didn’t do the graphic design for this project (the couple did it themselves and did a fantastic job!) I wanted to give them stuff to work with, so I made up some small silhouette icons to use here and there.

Finally I ended up doing a larger version of one of my original drawings that didn’t quite fit the invitation. Instead this one ended up on the wedding website. I like the way it turned out.

Everyone asks which person is the bird and which is the squirrel.

I downloaded a trial copy of Photoshop CS5 so that I could play with some of the new painting features on my tablet. I’m still trying to find a comfortable painting technique with photoshop beyond just coloring a scanned drawing.

My biggest complaint (in any version of photoshop) is that it’s a pain to adjust the color you’re painting with. I want to paint a bit with, say, a red, and then make it a little darker or lighter the way I would on my paint palette by adding white, black, or a complementary color. If I could have the big square color picker you get when you click a paint chip out all the time that would be great, but that’s a modal dialogue and it’s inconvenient to get at. The HSB sliders help a little (RGP is worthless) but they are small and hard to adjust on the tablet.

I thought maybe I could put my color in one paint chip, black or white in the alternate, and then use the brush settings to mix the colors with pen pressure. Here’s what I got:

This kind of works, but you never get the full strength of the back color. Plus you’re limited to mixing two at a time.

CS5 also has a new mixing brush tool that works a bit like Corel Painter’s oil brush tools, just without so many settings. I had a go at those on a reference photo and came up with this:

This worked a little better. However, you get this smeary finger painting effect that looks very “computer painted”. Ick! Maybe this will work better if I find a brush I like.

Practice practice practice.

I’ll trade you one 6-story tall river otter ice sculpture on your birthday for one large assortment of German and American pastries on my birthday. As tradition stipulates, we shall meet at the Glienicke Bridge at dawn.

Bring napkins.